A cinematic journey through markets, palaces, revolution, family, and stereotypes
12 meetings, every other week, Sun., 10:00-13:00
Price: 685 NIS
E&OE
A cinematic journey through markets, palaces, revolution, family, and stereotypes
12 meetings, every other week, Sun., 10:00-13:00
Price: 685 NIS
E&OE
An Iranian family flees Iran following the political turmoil of the 1970s. Now in France, they manage to transform the immigration experience into a lever through which they help society deal with immigrant communities. Kheiron turns his personal story into a wondrous family comedy.
Taraneh is a good girl, who doesn't let life's circumstances ruin her. But after her husband runs off, she discovers she is pregnant. Against all odds, Taraneh decides to keep the child. This film endows its melodramatic plot in utter and breathtaking simplicity.
Karim works at an ostrich farm outside of Tehran. But when one of the ostriches runs away, he is blamed and is fired. Finding a new job in Tehran, opens his eyes to the possibilities a big city can offer and take away.
Presenting ten scenes, all set in the protagonist's car, with two small cameras pointed respectively on the driver and her passengers, Iranian cinematic master Abbas Kiarostami unfolds a picture of the state of women in Iran. Ten crosses the boundaries between fiction and documentary film.
A couple’s separation over the decision to leave Iran leads to a series of events, actions, and deceptions that will force all involved to examine their role in life. A precise, clever, profound, and compelling drama.
Gabbeh is a colorful carpet produced in southwestern Iran. A woman washes one of the carpets and discovers in it the image of a beautiful girl called Gabbeh. The sad Gabbeh has been forbidden to see her beloved until her uncle returns from the big city.
An indie rock duo from Tehran is invited to perform in London. Nader helps them obtain their documents and takes them through the city to find their band. In a dynamic combination of fiction and documentary, we are introduced to Iran's lively underground music scene.
A former policeman approaches director Makhmalbaf and reminds him that he promised him a role in a film. The two met when the then 17-year-old Makhmalbaf stabbed this policeman. Makhmalbaf suggests that they reconstruct the event from their own point-of-view.
17-year-old Latif serves tea at a Teheran construction site. When one of the site's illegal Afghani workers falls from the scaffolding, he is replaced by his 14-year-old son. Latif takes out his frustration on him until he realizes that the boy is, in fact, a girl.
Mohammed, a boy at Tehran's institute for the blind, waits for his father to come pick him up for summer vacation. The father finally shows up and reluctantly takes Mohammed back to the village. Meanwhile we witness the boy's harmonious relationship with his grandmother, with his two sisters, and with nature.
A couple has to find a new apartment. A violent incident that happens there turns their lives upside-down and threatens their relationship. “Farhadi remains a master of pace and tension, slowly upping the stakes in an unsettling narrative” (Screen).
We first meet 9-year-old Marjane during the Islamic Revolution, when the fundamentalists first take power, and follow her as she cleverly outsmarts the “social guardians,” while living with the terror of government persecution. A poignant and intelligent coming-of-age animated film.