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Email | contact@jer-cin.org.il
Cin' Online Support | *9377
Cin' Online Support | kupa@jer-cin.org.il
11 Hebron rd.
POB 4399
Jerusalem, 9108402
By Bus
34, 7, 78, 18, 71, 72, 74, 77, 38
Mt. Zion Hotel
Gan Hapamon
Train Compound
| Wednesday 18.09.24 | | 18.09.24 18:00 |
Monday 16.09.24 | 16.09.24 20:30 | Cinematheque 3 | Cinematheque 3 |
The hostages are in our thoughts every day. This month, the Cinematheque will present the favorite films of Yair and Eitan Horn, and Karina Ariev, in the hopes for their return home
Prior to the screening, a conversation (in Heb.) with Karina's family
Based on an old Chinese legend about a young girl who pretend to be a man to join the war against the Hunnes. "Gorgeously animated and stirringly told, Disney's Mulan is a timeless story that will delight kids and divert adults with its sweeping scope, emotional intimacy and screwball humor" (Washigton Post)
Prior to the screening, conversation (in Heb.) Yair and Eitan's father, with Itzik Horn
he film is an utterly unhinged farce which follows the story of three brothers, each of whom is radically different to the other, who must now take over their departed grandmother’s funeral arrangements after the kibbutz unceremoniously washes its hands of the whole thing.
Following the screening, conversation with David Hadda, series creator, actor Mark Ivanir, Thomas Schreiber, the CEO of ARD Degeto Film, and Yuliya Fischer, Director of Drama at ZDF. Moderated by: Benjamin Freidenberg
Family patriarch Symcha Zweifler wants to sell his delicatessen empire when suddenly he is being confronted with his past in Frankfurt's red light district. Things get worse when Symcha's grandson Samuel and his girlfriend Saba are expecting a son. A tragic-comic search for meaning of life begins.
13-year-old Leo is staying at a house in the country. He becomes the link between two lovers involved in a forbidden love-affair. The tight script by Harold Pinter produces a powerful and beautifully recaptured vision of Edwardian England.
A private eye is led into an intricate and volatile case by a femme fatale. Chinatown is Polanski at his very best - the plot moves forward, the characters are complex, and the cinematic language is flawless, with a superior control of the camera work, pace, and story twists.
