Thursday | 27.11.25

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Monthly Screenings

10 Kilos

Dir.: Doron Eran
| 116 minutes

An innocent Jerusalem girl is drawn into her boyfriend’s cocaine deal in Bolivia and jailed by a drug cartel. Fighting to survive, she becomes a media sensation, adopts an orphan, and transforms from victim to cartel leader. Inspired by Sharon Itzhaki’s true story.

Living in Two Worlds

Dir.: Mipo O
| 105 minutes

Living in Two Worlds follows Dai, who grows up as a mediator for his deaf parents and struggles to escape his childhood role after moving to Tokyo. This poignant family drama explores love, duty, and guilt, with a standout performance by Akiko Oshidari.

Weapons

Dir.: Zach Cregger
| 128 minutes

One night, an entire class in a small American town disappears, leaving only one student at school. The town’s fear and anger grow as they search for answers. Director Zach Greiner’s masterful use of perspective, sound, and performance makes this one of 2025’s best films.

Ghostlight

Dir.: Kelly O'Sullivan, Alex Thompson
| 115 minutes

Dan, a quiet but restless road worker, is invited to a community theater rehearsal after an outburst. His encounter with art helps break emotional barriers with his wife and daughter. O’Sullivan and Thompson’s film explores the healing power of art in life’s struggles.

The Phoenician Scheme

Dir.: Wes Anderson
| 101 minutes

A wealthy European industrialist names his estranged daughter as heir. With her tutor, she uncovers a global conspiracy involving rival tycoons, terrorists, and assassins in Wes Anderson’s stylish new spy-adventure.

Shepherds

Dir.: Sophie Deraspe
| 113 minutes

Mathyas, a Montreal copywriter, leaves the city to become a shepherd in the French Alps. He inspires Elise to join him, but living with 800 sheep and a dog proves physically and emotionally tough. Director Sophie Deraspe explores nature, hardship, and human connection with striking depth.

After the Hunt

Dir.: Luca Guadagnino
| 138 minutes

Alma, a philosophy lecturer, must choose between Hank, a tenure-track candidate, and Maggie, her top doctoral student who accuses Hank of assault. The film sidesteps truth claims, focusing instead on the intense emotions, tensions, and complex relationships between the three characters.