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Monthly Screenings

Aki-no: Japanese Film Festival 2024

 
Afar from the problems Israel and the Middle East have faced in the last year, and certainly in the past few months, Japan has been dealing with issues of a different variety for years: an aging population, one of the lowest birth rates in the world, social and gender conservatism, and, of course, a string of natural disasters. Japanese cinema, on screen and behind the scenes, is constantly exploring these issues that threaten the future of Japanese society.
Alongside the cinematic masters taking part in this edition of the Aki-no, whose names are already familiar to the international audience, such as Hayao Miyazaki, Hirokazu Kore-eda and Ryosuke Hamaguchi, who only a year ago won the Oscar for Drive my Car, the program will showcase new talents and lesser-known filmmakers, who bring a different voice in Japanese cinema.
With its devotion to and displaying social and value tensions, Japanese cinema continues to offer a celebration of beauty that plays on the senses, through cinematography of changing and spectacular vistas, the culinary exquisiteness present in every film, and the patient observation of the laws and customs unique to the island nation.
We hope you enjoy.

Opening Event

The Boy and the Heron

Dir.: Hayao Miyazaki
| 124 minutes

Forced to move to a village where his father is employed building planes for the army, Mahito wanders around and meets a gray heron. When they enter a mysterious tower, they move into whimsical places. "This is a singular, transformative experience in film, and not to be missed" (Toronto Fim Festival).

Takano Tofu

Dir.: Mitsuhiro Mihara
| 119 minutes

Tatsuo and his daughter Haru run Takano Tofu Store in Onomichi. When Tatsuo discovers he is ill, he worries his daughter will be left on her own and, unbeknownst to her, sets out to find Haru a match.

Monster

Dir.: Hirokazu Kore-eda
| 126 minutes

When Minato comes home from school and complains about things one of the teachers said to him, his mother confronts the school principal and demands answers. The great Kore-eda tells this story from three points-of-view. The truth is elusive, but it will be revealed with the humanistic sense of the Japanese master.

Kubi

Dir.: Takeshi Kitano
| 131 minutes

Japan, the 16th century. Lord Nobunaga Oda sets to unit Japan under his rule. But when his vassal disappears, Nobunaga sends his other vassals to find him, with a promise of his heirship. Kitano directs with unrestrained grandiosity, receives uninhibited performances, and overflows the screen with blood and organs.

Great Absence

Dir.: Kei Chikaura
| 152 minutes

Takashi and his father Yohji have never been close. Now, as Yohji slowly disconnects from reality due to dementia, Takashi is brought back to try and discover what happened in his father's life before his memory disappears forever. Great Absence gently moves between conflicting emotions: love, reluctance, anger, and compassion.

Moving

Dir.: Shinji Sômai
| 125 minutes

When Renko's father leaves, she and her mother are forced to restart their lives. But when the mother tries to set new rules, their relationship falters. Moving is a key work in contemporary Japanese cinema.

Egoist

Dir.: Daishi Matsunaga
| 120 minutes

Though losing his mother at a young age, Kôsuke believes in life and begins a relationship Ryûta. Ryûta is devoted to his ill mother, who raised him on her own. These relationships stand at the center of Matsunaga's work, "a satisfyingly textured, bittersweet character study" (Screen).

Ripples

Dir.: Naoko Ogigami
| 120 minutes

After her life falls apart, Yoriko finds comfort in a support group, or perhaps a cult, for whom the meaning of life is water. But her serenity is tested when her husband returns home, her son visits, and at work she is disturbed by an angry customer.

Dreaming in Between

Dir.: Ryûtarô Ninomiya
| 96 minutes

Mr. Shuhei has to reexamine his life, relationships, and his routines when, a year before retirement, he is diagnosed with Alzheimer's disease. Ryûtarô Ninomiya film looks at a man who is neither young nor perfect, trying to mend what little is left of his life.

Perfect Days

Dir.: Wim Wenders
| 123 minutes

The daily routine of a devoted and zealous janitor, who cleans public restrooms in Tokyo, stands at the center of Wim Wenders best film in many years. Thanks to the ability to observe, the intelligent use of the soundtrack, a minute script, and subtle acting, Perfect Days plays on the heartstrings.

Evil Does Not Exist

Dir.: Ryosuke Hamaguchi
| 106 minutes

The life of a small community living in harmony with nature is jolted when a tourism company from Tokyo wants to establish a luxury resort village. Ryosuke Hamaguchi presents a seemingly humble film and, in his unique cinematic way, succeeds to delve deeply into the soul of his heroes.