Friday | 27.12.24

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Monthly Screenings

Wes Anderson: Beginnings

The screening of Asteroid City is a good opportunity to revisit to the beginning of Wes Anderson's career, before he became Wes Anderson. All the characteristics of Anderson's cinema - the visual perfection, the preoccupation with the coming-of-age crisis in the bosom of the family, the absence of a successful father figure - are already present in his first four films. From the beginning, Anderson offers his own cinematic universe, which gets more and more refined as his career developed. His first films lack the colorful mannerism aesthetics, offering a sense of authenticity, well in the Andersonian way: self-aware, ironic innocence, games with form, but one in the center of which - perhaps - real emotion still pulsates. In an era of superheroes, where the personal cinema is fighting for its life, Anderson has done quite well, and his films - new and old - are always a unique celebration to indulge in.

Rushmore

Dir.: Wes Anderson
| 93 minutes

In a romantic triangle starring a 15-year-old slob, a millionaire in his fifties and a frigid widow in her thirties, things can really get out of control.... A sophisticated, vicious, subversive comedy disguised as a teen movie.

The Royal Tenenbaums

Dir.: Wes Anderson
| 109 minutes

Twenty years after abandoning his wife and three precocious children, Royal Tenenbaum decides to return home and is willing to do whatever it takes to win them back. An intelligent, witty, and enjoyable comedy.